Thursday, April 17, 2014

It’s heavy down here,

at least according to the Cowboy Junkies. Life is heavy, despite our constantly trying to make light of it. We can buy the shiny toys, repeat the snappy slogans, pass around cute fuzzy memes, and still some suburban Midwest girl will step off a bus in Manhattan and be welcomed by a guy with bad intentions. She may well end up hooked on meth or heroin, selling herself for the profit of another. Some guy in a suit will rent her for an hour then go home to his wife and kids and watch a sitcom. The next day at the office he’ll espouse family values and conservatism. Then he’ll formulate a plan to fuck the workers below him out of a portion of their wages and glow with pride while his supervisor pats him on the back for being a Great American. On the evening commute to Connecticut he’ll inch past a car wreck with bodies scattered across two lanes of I-95, probably caused by the driver texting on the smartphone lying shattered amid a glittering spray of safety glass. He’ll roll his eyes and tap a finger on the steering wheel like the rest of the impatient, inconvenienced people around him. An hour after craning his neck for a macabre glimpse the dead will have ceased to exist as things once human in his mind, if they ever did.

And this guy? He’s one of the halfway decent. In that same span of time, in that same metropolitan area, hundreds of children will have been abused and molested, millions of dollars will have been stolen or misappropriated, armies of homeless men and women will have been viewed with pity or loathing, or ignored altogether, dozens of women will have been raped and battered, and scores of animals will have been mistreated, sometimes for entertainment.
And that doesn’t even begin to scratch the surface.
All the while, people will drive and ride and walk around with fake smiles on their faces and false platitudes on their lips. They’ll lie and say things like, “Fine,” or “Good,” when someone asks how they are without really caring one way or the other. It’s just what you say. And most of the rest of their day and indeed their lives follow that same pattern.
A few will smile in genuine delight at the warmth of sunshine on their faces, or the clean smell of recently fallen rain, or the wise and baffled expression on an infant’s face. These little beacons of light in a drab and darkening world send ripples outward into the crowds around them, and for a brief moment the emotions they emit touch others and are shared, and sometimes, hours or even days later, one of the touched will recall that moment without consciously remembering it, and reach out in some way to touch another, whether with just a smile or with physical aid or an act of kindness, and all the anger and frustration and resentment brewing in the cauldron of teeming humanity will lose some of its force for a time.
And that’s heavier still, because the smallest glimpse of hope outweighs the longest stare into the dark. Every sliver of rising sun peeking over the horizon offers a shot at redemption, a new start. It burns the darkness away into the cracks and crevices. But the tallest and broadest of things and men cast the longest and widest shadows, always, and even at its highest and brightest, the light cannot penetrate there. The darkness crouches, waiting, and we always reach into it with one hand even as we reach for the light with the other, because we’re made of both, and are called to both.
That’s why I write the kind of stories I do. All good fiction peers at this paradox and tries to peel away layers to see what’s underneath. It peeks at the horror and joy of it all. But crime fiction tears those layers away violently, and stares unflinching at the heart thus exposed, in a way that cannot be denied or written off as fanciful. It’s bald truth masquerading as fiction. Only the names have been changed.
And that’s how it should be.
Yeah, it’s heavy, and down here includes everything under the sun, from the poshest penthouse to the dimmest subbasement. The high and the low alike are subject to the gravity of things, no matter how they might cry out in denial, or more accurately, because they do.



SR